Loney marry woman Beatrice new Beatrice

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Beatrice is undoubtedly one of the strongest female characters Shakespeare has ever created. She is the niece of Leonato, a wealthy governor of Messina and she obtains a close relationship with his daughter Hero. The contrast between the polite and quiet Hero and Beatrice, who is a very feisty and sharp lady, is highly noticeable throughout the whole play.

The society in Messina is structured very much like the Elizabethan one, which first witnessed the play. It was the father who decided who she would marry, always considering the wealth and the money involved. A renaissance woman back then did not have a free will.

It was a male society with oppressive institutions vested in elderly male authority, property rights — and proprietorial rights in women. Throughout the play Hero hardly says a word, her father Leonato and the other members of her family speak for her. She is being suppressed. Hero is a girl wholly constructed by family and society, without one spark of individual will. It is her father who controls her present life and her future.

Only when Hero dies and is reborn, she finds her tongue for the first time, a tongue which Beatrice has never lost. Beatrice is a woman who openly defies male subjection.

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She rebels against the unequal status of women in renaissance society. O that I were a man! I would eat his heart in the market-place. When Hero has been humiliated and accused of violating her chastity, Beatrice explodes with fury at Claudio for mistreating her cousin. Here, she means that if she were a man, she could take vengeance on the man that slandered her cousin. But she is a woman, so she cannot defend her in her honour whilst a man can by fighting in a duel or a battle. Beatrice is a very strong woman in the sense that she is extraordinarily independent and courageous for her time.

To her, independence is of extreme importance. She seems confident that she does not want to submit to marriage, in order to obtain her self-sufficiency. It is clear that Beatrice is very much aware of the existing social pressure and the expectance of certain traditional behaviour of male and female individuals. But she refuses to submit to it. Her way of thinking quite resembles the way most women in our present society think about these matters.

Nowadays, women are confident that they are equal to the male gender. We also chose who we fall in love with and marry for ourselves, no matter what our parents might think. Although, in some countries, like Morocco, women are still being seen as unequal to men.

As I mentioned, Beatrice refuses to marry because she want to preserve her independency. She is unwilling to eschew her liberty and submit to the will of a controlling husband. Afterwards, her uncle simply replies that if she does not like men with a beard that she should chose a husband without one. Dress him in my apparel, and make him my waiting gentlewoman? She means that there is no man that would be a perfect match for her.

He that is less than a man is not manly enough to satisfy her desires, and he that has a beard is not youthful enough for her. But this riddle is not particular to Beatrice. In Renaissance literature and culture, particularly in Shakespeare, youths on the cusp of manhood are often the most coveted objects of sexual desire.

Also, when Beatrice jokes that she would dress up a beardless youth as a woman, there is a hidden double meaning in there. The beardless adolescent had a special, youthful allure that provoked the desires of both men and women at those times. A woman might be strong and independent, still she will always keep on feeling a desire to be loved. People are not made to spend their lives alone. We will always want to share our happiness with somebody else, who loves and cherishes us. Single independent women hardly ever admit to being lonely, but deep down they are. It is simply human.

What Beatrice really wants is a finding a partner who loves her and treats her as his equal. She is not entirely opposed to marriage, as long as it is based on mutual love, respect and equality. In de film version of the play, this very same song is sung by Beatrice herself at the very beginning. The song is actually the key to the whole play. It describes her feelings about ior Benedick. Men always leave, as she describes it they have one foot in sea and one on shore, they are never constant to one thing. This song gets across the message of the entire play and it proves to us that Shakespeare definitely understood women very well.

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However, the element of merriment in this conflict disrupts traditional assumptions about the proper behaviour of young men and women: Benedick and Beatrice —Beatrice in particulary —via their verbal wit seem connected to a source of energy that cannot be fully contained by social forms. This again shows that Beatrice is not a typical renaissance girl. She is not willing to be subdued by the male expectations of society.

She is not afraid to speak freely and tell her male companions what she thinks about them. When Elizabeth I came to the throne, the Englishmen were not pleased. They thought it unholy and unnaturally that a woman should reign and have empire above men. But, Queen Elizabeth was the one who brought England to its golden age in English history, when England asserted itself vigorously as a major European power in politics, commerce and arts. She was an extremely powerful woman, the product of a fine Renaissance education who had learned the need for a strong secular leadership.

Like Beatrice, she was a self-sufficient woman who made all decisions herself, advised only at her request. She never married, out of her own free will, although she was seen among her contemporaries as a social and sexual enigma by refraining from marriage, sex, and childbirth.

This is also what Beatrice defies. Already in the first few lines of the play we learn that Beatrice is not very keen of ior Benedick, the young lord of Padua. She constantly mocks him with elaborately tooled jokes and puns. There is a merry war of wit going on between them wherein one constantly tries to outdo the other with clever insults.

We may assume that at one moment in their relationship, Benedick left her. In the play we clearly see that Beatrice has not forgiven Benedick for breaking her heart. Although she still has some feelings for him, she refuses to let him know and therefore she reacts in a way as if she hates him thoroughly. However, this is just her way of defending herself.

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She refuses to let him sweep her off her feet again, she wants to make him clear that this is never going to happen. She wants to show him that she is over him and that she does not care at all for him, the reason being that she gave him her whole heart, and he scattered it into pieces. Beatrice constantly attacks Benedick with feisty remarks because he has hurt her in the past.

It takes Beatrice a long time to forgive Benedick for leaving her and trusting him again. She hates him for having hurt her feelings in the past, which is why she constantly mocks him, while Hero takes Claudio back and marries him without even saying a word about the fact that he has publicly rejected her at the wedding ceremony. She does not stand up for herself in contrast to Beatrice. Hero is obviously very much suppressed by society, she obeys her father and does not have the right to utter how she really feels.

However, Beatrice eventually is not as hardened as she might seem. When she finds out, through the deceit of Hero and Margaret, that Benedick is hopelessly but secretly in love with her, she opens herself up to the sensitivities and weaknesses of love.

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The fact that she immediately says that she will love him to shows us that she never stopped loving him, she just put on a strong face and attitude. She is does not confess to loving him, but we do see a change in her answers, which are more evasive and less harsh then before. Eventually she tells him that she wants to protest the fact that she loves him, but that she can not because her love is too strong.

They are both very lively and independent characters, and although they manage to speak sweetly to each other, they will never lose their biting wit. They will keep on teasing each other with clever never-ending insults. Additionally, the bringing together of two prickly, unconventional adults in marriage —into conformity with the structures of society which they have hitherto managed to flout —holds a joyful animation for the audience.

The world is peopled via the ceremony of Christian marriage. It is over all fascinating for the audience to see that although Beatrice has a strong will and is not afraid to stand up for herself and speak her mind, she still finds herself to be happily married at the end. She is a pleasant-spirited lady with a sharp tongue and is not afraid to use it.

Although she constantly mocks Benedick with elaborately tooled jokes and puns, she is also generous and loving. Character analyses of Beatrice: Beatrice is undoubtedly one of the strongest female characters Shakespeare has ever created. Introduction Elizabethan times Elizabethan theatre Shakespeare's life 2. Bibliography Home.

Loney marry woman Beatrice new Beatrice

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